Emel’s first album, Kelmti Horra (My Word is Free), introduced her groundbreaking marriage of sounds steeped in Tunisian rhythms and electronic beats. On Ensen, she’s developed a style that’s even
Emel’s first album, Kelmti Horra (My Word is Free), introduced her groundbreaking marriage of sounds steeped in Tunisian rhythms and electronic beats. On Ensen, she’s developed a style that’s even more uniquely her own, combining organic and electronic sounds to produce a record that will appeal to any lover of innovative and heartfelt music. “It took a couple of years to realize the visions that were popping up inside me,” Emel says. “I faced resistance from people wanting to keep me confined to an ‘ethnic box’ and trying to limit my creative freedom.”
Despite government censorship in Tunisia, Emel found relief and strength in the music of Baez, Dylan, Lennon, Pink Floyd and Led Zeppelin—she even formed her own metal band while at university. She soon became known on the Tunisian alternative scene for her protest songs, “little by little, more and more people started coming to my shows, telling me my words were a relief — but I knew I’d never get anywhere in Tunisia, no matter how talented I was.” After saving money from gigs, Emel moved to France in 2008 and developed an international following through social media. During the Tunisian Revolution in 2011, her song “Kelmti Horra (My Word Is Free/written in 2007)” reached millions of views on Youtube and eventually became the anthem for the Arab Spring.
She recorded new album Ensen (due out in Feb 2017) in seven countries across three continents, with several additional producers including Valgeir Sigurðsson (Sigur Ros, Bjork) and Johannes Berglund (The Knife, Shout Out Louds, Ane Brun). http://emelmathlouthi.com/
8.30pm Fran Lobo
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